“Natyurmort kompozitsiyasini yakuniy bosqichini bajarish va tugallash”
Abstract
Ushbu ilmiy maqolada natyurmort kompozitsiyasini yakuniy bosqichda bajarish va tugallash jarayoni tasviriy san’atning optik, konstruktiv, kompozitsion, psixologik va rang nazariyalariga tayangan holda ilmiy asoslangan tarzda tahlil qilinadi. Tadqiqotning markaziy maqsadi — natyurmortning yakuniy ishlanish jarayonida kompozitsion markazni mustahkamlash, ton va yorug‘lik balansini ilmiy asosda barqarorlashtirish, rang va kolorit birligini yakuniy darajada uyg‘unlashtirish, obyektlararo ritm va fazoviy chuqurlikni mustahkamlash, detallarni umumlashtirish va aniqlashtirish, shuningdek gestalt psixologiyasiga asoslangan badiiy yaxlitlikni yaratish kabi jarayonlarning ilmiy-mantiqiy asoslarini ochib berishdir. Maqolada Leonardo da Vinchi, Cezanne, Itten, Chevreul, Arnheim, Helmholtz, Fresnel kabi olimlarning ilmiy qarashlari, akademik maktabning konstruktiv tahlil metodlari hamda zamonaviy san’at-pedagogika yondashuvlari tahlil qilinadi. Tadqiqot natijalariga ko‘ra, natyurmortni yakuniy bosqichda tugallash — tasvirning barcha komponentlarini muvofiqlashtirib, kompozitsiyani badiiy pishganlik darajasiga olib chiqadigan murakkab ilmiy jarayon hisoblanadi.
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